Despite a penchant for ironic melancholy, British indie-pop group Los Campesinos! are typically bright and buoyant, their sprightly sound belying dejected lyrics about romantic insecurity. But in their fourth LP, Hello Sadness, the band greet sadness full on, and their music suffers for it. The record retains their dreadful lyrics, but loses all the associated fun.
Devoid of a single catchy chorus to latch onto, Hello Sadness trickles past the listener like leftover food in the gutters of indie music. Los Campesinos! are known for a hyper-energetic, poppy sound, with bouncy rhythms and frenzied singing. Yet here even the band’s idiosyncratic chimey guitars sound subdued.
Moreover, their lyrics, which are usually atrocious but redeemed by their comedic, ironic quality, have entered the realm of the disturbing and the uncomfortable. What made singer Gareth Campesinos! (band members use “Campesinos!” as their surname) think the phrase “the black bird feasts upon my guts” has a place in a song is anyone’s guess. The record is filled with cringe-worthy lines like “a wishbone hangs between your breasts” in the title track, or “here it comes this is the crux/she vomits down my rental tux” in “By Your Hand.” There’s even mention of psoriasis in “Life is a Long Time.”
The album bears little semblance of the giddy band that in the past played the indie-pop anthem “You! Me! Dancing!” Instead, we are treated to forty minutes of what can only be called monotonous whining. Hello sadness indeed. Melancholy does not suit the band when it’s not offset by spirited instrumentals and a healthy dose of irony. The only ironic thing here is that the record forces one to recall that the band once wrote a song entitled “Death to Los Campesinos!,” and wonder whether this prophecy has now been self-fulfilled.
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Are you listening to the same record as the rest of us? The title track, ‘Hello Sadness’ has one of the catchiest hooks the band have ever recorded, and ‘Baby, I’ve Got The Death Rattle’ manages to encapsulate a feeling of absolute collapse whilst maintaining the energy LC! have always demonstrated.
On a side note, the majority of the band were in their early twenties and still in university when Y!M!D! was written. The line-up of the band now includes only 4 of the original 7 members. Would you not prefer a band to grow and develop as they age, or do you expect them to carry on the same music they were playing four years ago?
This certainly isn’t as upbeat as what the band was doing 4 years ago circa Hold On Now Youngster, but it seems like you’re ignoring their past two albums, which have progressively arrived at this much darker sound (We Are Beautiful, We Are Doomed, as well as Romance is Boring). If anything, I think most of the songs on this album are lighter in feel than the average song from those albums. Bands change, but LC! remains true to who they are, continue to create wonderful music, and who on a hell of a live show.