‘Art for Partition’ benefit event at Berkeley SkyDeck

Attendees of the event came dressed in both traditional and modern attire. Matthew Lee/Staff
Bapsi Sidhwa, author of ‘Cracking India’ and the first female Pakistani novelist on the partition, in conversation. Matthew Lee/Staff
‘Cracking India’ by Bapsi Sidhwa, a novel centered on the events and aftermath of the Partition of 1947. Matthew Lee/Staff
Gurnam Brard signs a copy of his work, ‘East of Indus: My Memories of Old Punjab.’ Matthew Lee/Staff
Partition survivors describe their firsthand experiences of the event in 1947. Matthew Lee/Staff
Partition survivors describe their firsthand experiences of the event in 1947. Matthew Lee/Staff
Observable tension among the audience as the panel recalls the bloodshed of the Partition. Matthew Lee/Staff
A father and daughter look through an art booklet. Matthew Lee/Staff
An attendee reviews works by Sukhpreet Singh. Matthew Lee/Staff
‘Despondent’ and ‘Despondent: Bleu’ by Maya Smith. Matthew Lee/Staff
‘The Geisha in Me’ by Mansi Bhatia is demonstrative of new media art, created from the iPhone application Hipstamatic. Matthew Lee/Staff
‘Picnic’ by Maya Smith. Matthew Lee/Staff
Artwork by Salma Arastu, including ‘Intimate-1’ Matthew Lee/Staff
Various works by Sukhpreet Singh. Matthew Lee/Staff
Pieces of jewelry by Maridadi Design. Matthew Lee/Staff
The power of nonverbal communication is demonstrated in “Sultana 3’ and ‘Sultana 1’ by Maya Smith. Matthew Lee/Staff
Roshni Rustomji, professor emerita at Sonoma State University, reads portions of her work from various anthologies. Matthew Lee/Staff
Hardev Grewal, a survivor of the 1947 Partition. Matthew Lee/Staff
Priya Satia, associate professor of modern British history at Stanford, gives historical background of the events of 1947. Matthew Lee/Staff
A collection of samosas, a food culturally prominent in both Pakistani and Indian cuisine. Matthew Lee/Staff
‘Picnic’ by Maya Smith adorns one of the many window posts. Matthew Lee/Staff
Collections of photographs offer a different sort of ‘perspective’ compared to the view over Berkeley. Matthew Lee/Staff
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“Art for Partition,” an event held Saturday in downtown Berkeley, sought to raise funds for the preservation of stories from survivors of the Partition of 1947 in South Asia. The Partition of 1947 involved the division of colonial India into the sovereign states of Pakistan and India after the dissolution of the British Indian Empire. It resulted in the displacement of 12.5 million individuals and the deaths of around 1 million, and it bred an atmosphere of mutual hostility that still exists between the two states today.

The event consisted not only of the showcasing and auctioning of artwork but also of a series of presentations given by members of local academic institutions and a panel of survivors of the Partition. The afternoon was marked by stories of brutality as well as compassion, and it moved many among the culturally diverse audience to participate in the auction. At the end of the day, attendees left with a greater appreciation for and knowledge of the events of 1947. Moreover, they were shown the need for remembrance and discussion — no matter how painful the memory. As the event advocated, perhaps this is where the solution to current Indian-Pakistani conflict lies.

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