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‘Orange is the New Black’ is arrestingly funny

Jenji Kohan has it on lock with follow-up to 'Weeds'

“Women in television” — and, particularly, the “Can women be funny?” question — is a very tired conversation now. It’s been done and dissected, and now, it should be put in the kitchen, where it can keep silent and make me sandwiches. And yet it keeps cropping up because, joking Read More…

The Jonas Brothers: burnin’ out?

Boy band struggles to find mature voice, falls flat live

The facts are these. On the night of Tuesday, August 13, 2013, I went to a Jonas Brothers concert. I am 23 years old. I have seen every Jonas Brothers music video, I have (with one of my best friends) watched every episode of their short-lived Disney Channel sitcom and, Read More…

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‘I’m So Excited’ does not live up to its title

Few directors have attained the kind of monolithic status that surrounds Pedro Almodovar. Since his feature debut in 1980, the Spanish auteur has come to be associated with an exaggerated style, kitsch melodrama, social satire and female heroism all his own. In truth, it’s almost formulaic. You see loud colors Read More…

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‘Frances Ha’ charms in its unique, mature way

Two best friends sit in bed together. One gingerly asks the other to “tell the story of us.” In scenes before and after, we’ve seen them laugh, drink, cry and play-fight. They are inseparable, vibrant and dynamic. “Only the young have such moments,” wrote Joseph Conrad in his 1917 novella Read More…

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Just a spoonful of Madeline Trumble

Last week, Disney’s “Mary Poppins” musical premiered at San Francisco’s Orpheum Theatre. The Daily Californian spoke with Madeline Trumble — a native of Berkeley and the star of the touring production — about growing up in the Bay Area, the struggles of working on a touring show and the magic Read More…

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‘Great Gatsby’ proves dull and depthless

Baz Luhrmann’s adaptation of the iconic novel fails to impress viewers

Some kind of congratulations should be in order for Baz Luhrmann’s adaptation of “The Great Gatsby.” Somehow, Luhrmann has managed to turn F. Scott Fitzgerald’s iconic 1920s novel of wealth, excess and the death of the American Dream into something I never thought possible — dull. Yes, despite the extravagant Read More…