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If you can conceptualize “chillwave, bedroom dream-pop,” then Flamingosis’ Upper Sproul Plaza performance Friday was the elevator music version of that.
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In between two Coachella weekend performances, The Neighbourhood came up to the Bay Area, touring for its recently released self-titled album.
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But Yaeji, one of the few prominent female Korean American hip-house DJs/producers/singers/rappers, firmly establishes an intimacy in her live performances.
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Frankie Cosmos has this unique ability to evolve while staying committed to giving its fans that same recorded-in-my-garage vibe.
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But his newest EP, “Hear No Evil,” is a return to the Thugger fans are used to — one who drops great party music that remains innovative.
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Miguel’s the type of artist played when you want to “chill,” when you want to “vibe” — the human iteration of the term “kickback.”
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Isolation is incredibly multifaceted — at every turn, a new side of Uchis glitters. Uchis plays with different narratives in a way that adds dimensionality to her body of work.
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Matt and Kim’s Warfield concert was more than a place to dance and listen to great music: It was a hub of mad fervor and controlled chaos.
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Universal Love takes classic love songs and puts a gay twist on them, featuring performances from Bob Dylan, St. Vincent and Kesha.
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In ‘Invasion of Privacy,’ Cardi B drops an undeniably strong debut album, one indisputably charged with the infectious spirit of the female rapper.
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