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After a prolific 2017 and a comparatively quiet 2018, Texas boy band Brockhampton’s RCA Records debut iridescence stays true to the band’s ethos while successfully executing on an ambitious push toward new musical territory.
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Rina Sawayama concluded the North American leg of her “Ordinary Superstar” tour with a blowout performance Thursday night at Rickshaw Stop in San Francisco.
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Kali Uchis began her set from behind a curtain, her silhouette perfectly framed by a spotlight, the stage lit by red floor lights. Arching her back as she cooed the opening of “Dead To Me,” she soon cut through the curtain’s central split and appeared.
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The inspiration for curating a hip-hop focused festival was sparked by Cherif’s acknowledgement of a void of hip-hop shows or festivals in comparison to a multitude of multigenre festivals.
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The musical and thematic qualities that made Telefone such a distinctive album compared to the other music borne out of 2016 are again present on Room 25. This year, much like 2016, is seemingly oversaturated by excellent albums, and Room 25 has quickly joined the ranks.
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A collective voice quickly emerged from the pit alongside Rachmany’s, and as the audience members put their hands up and swayed to the syncopated reggae rhythm, it was clear that Rebelution’s sold-out show would be a good time.
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It’s hard to deny that Banhart’s “25th” is a reflection of the times, specifically of 2018. It is a work of art that surely should be studied by historians 50 years from now, as Banhart’s song comes at a time when the U.S. presidency is under intense fire.
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By the sound of Boston Manor’s newest album, Welcome to the Neighbourhood, which released last week, the band’s roots have taken a quick turn toward the post-hardcore genre.
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Masego took the stage as the opener for Leon Bridges on Friday night at the Greek Theatre in Berkeley, where he quickly proved he is the worst wingman you could ask for — a wingman who is seductive, smooth as silk and far too capable of stealing your date.
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Rap has taken a silly turn, with rappers like Lil Yachty and Young Thug bringing boats and slime into their lyrics regularly. In line with this new, more playful, nonsensical form of rap, SahBabii has emerged as someone who creates some of the most exciting and compelling music.
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