edwardsharpe.communitymusic

Edward Sharpe and the Magnetic Zeros: Here

With a band name like Edward Sharpe and the Magnetic Zeros, it was hardly surprising when their 2009 album, Up From Below became something of an anthem for hipsters the world over. Three years later, the band’s follow-up album, Here, moves into new territory without totally forsaking the folksy kitch
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Ashley Chen/Staff

Best Coast surfs into Oakland’s Fox Theater

When Best Coast’s frontwoman Bethany Cosentino waltzed up center stage, dirty blonde ringlets a flux and fashioning an adorable scalloped white romper, it was hard not to swoon. Oakland’s Fox Theater swarmed with young people who had just finished the last long days of the semester, brimming with anticipation for
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New Diplomat (Gracie Malley/Staff)

Diverse set of SF bands rock Rickshaw Stop

If there was one thing all four bands had in common at the Rickshaw Stop in San Francisco last Saturday night, it was that they were loud. Regardless of each of their distinctive sounds, the Rickshaw Stop’s blaring PA had the crowd dancing and swaying to DJ Aaron Axelsen in-between
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prometheus

Summer Preview 2012

Let’s be honest. Last summer was a sore disappointment. Out of the many blockbusters to be released — “Thor,”  “X-Men: First Class” and the laughably awful “Green Lantern” — no film stood out as the centerpiece of the summer season (except maybe “Harry Potter”). There was no “Inception” or “Dark
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Best Coast: The Only Place

Bethany Cosentino and Bobb Bruno of Best Coast, the surf pop outfit from Los Angeles, return with their sophomore LP The Only Place. Since the release of their debut album, 2010’s Crazy For You, Best Coast has toured extensively, supported Planned Parenthood, advertised for Converse, shot a music video directed
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beach-house-bloom

Beach House: Bloom

At its core, Beach House’s sound hasn’t changed much since the Baltimore dream pop duo released its self-titled debut six years ago. But with each new release, the band has continued to refine its sound and their fourth album, Bloom, is no different. Alex Scally’s droning guitar on album opener
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album norahjones

Norah Jones: Little Broken Hearts

Norah Jones is not an extreme artist. When you pick up one of her albums, you know what to expect. There will be no genre-hopping madness, hardly any experimentation and certainly none of that dubstep hullabaloo. For more than 10 years now, Jones has carved out a comfortable niche as
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album tysegall

Ty Segall and White Fence: Hair

In the January issue of Rolling Stone this year, Patrick Carney of the Black Keys declared that “Rock & roll is dying because people became OK with Nickelback being the biggest band in the world.” That wouldn’t seem to be the case now. The Black Keys had two of the
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