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Not enough real heart in revival of ‘The Real Thing’

In Tom Stoppard’s semi-autobiographical play “The Real Thing,” a writer struggles to break the wall of glib wordplay he has erected around his heart and find real connection with the woman he loves. “The Real Thing” opens with a husband (Seann Gallagher) confronting his wife (Carrie Paff) about her adultery.
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Berkeley theater adapts to new generation

Theater companies are struggling to garner funds and attract young audiences. This means that they must form new models of approach.

I f conversations about the state of live theater were plugged into a word cloud generator, right next to “Hamilton” in the biggest font would be phrases like “limited resources” and “aging audiences.” Theater has had a high-profile past year, but not everybody can be a “Hamilton.” For nonprofit theaters
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Lion King NY

‘Lion King’ still reigns supreme at SHN Orpheum Theatre

The piercing opening line of “The Lion King” translates from Zulu to “Here comes the lion.” Lions do come, and so do giraffes and bison and gazelles and panthers, parading down the aisles leaving dropped jaws and misty eyes in their wake. Before anyone has time to settle into their
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Big bad “Woolf” bares its teeth at Shotgun Players

Edward Albee’s “Who’s Afraid of Virginia Woolf?” is set in a fictional university town called New Carthage, a reference to the ancient city destroyed by Roman forces after a century-long series of wars. Albee’s 1962 play certainly feels like it documents a century’s worth of warfare — only, it’s the
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