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American Conservatory Theater’s Samuel Beckett showcase intrigues

American Conservatory Theater in San Francisco is paying homage to modernist master Samuel Beckett. In a single bill, the A.C.T. has joined “Play,” one of Beckett’s rarely performed one-acts, with “Endgame,” Beckett’s 1957 work written in the absurdist style. “Play” is Beckett’s illustration of a love triangle, drawn using minimal
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This Week in Arts

Film Peter Greenaway’s “The Cook, the Thief, His Wife and Her Lover” (1989) is not a movie that calls for popcorn, not only because of its twisted antics — running the gamut of blood, shit and piss — but because it is a bold, serious film. Michael Gambon plays Albert
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