Emanuel Ax Photographer: J. Henry Fair

Polish pianist Emanuel Ax awes at Zellerbach

As soon as Emanuel Ax stepped onto the Zellerbach Hall stage, the anxiously chattering crowd quieted down, took their seats and burst into boisterous applause. The concert hall was filled to the brim for the world-renowned Polish pianist on Nov. 13, a testament to the artist’s acclaim. Even before the
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Fran Lebowitz goes road-tripping

In New York City, sometime in the early hours of October 30, a car made its way uptown. The streets were unusually empty for that hour (or any hour in NYC). A hurricane was in town and instead of the benign ambivalence with which the city usually greets new arrivals,
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Jazz Hands: Chucho Valdes reflects on his place among his jazz predecessors

For the uninitiated: Jazz, though underpinned by a malleable lattice of chords and rhythms, relies heavily on improvisation and invention. But originality is not always the prerequisite for inspiration. Often, performers call upon the genius of their forebears and insert snippets of past work into their performance. “Those are invoked,”
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‘Einstein on the Beach’ mesmerizes Zellerbach

Writing a review of “Einstein on the Beach” is a  profound challenge. The opera is hailed as one of the crowning artistic achievements of the 20th century and remains among the most important contributors to modern performance culture. And yet, despite the glitz and glamor surrounding the opera, the endless
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‘Swan Lake’ enchants at Zellerbach

The ballet “Swan Lake” begins with a solitary violin sequence, soaring briefly before crashing into the swell of the orchestra. With this short passage played to spine-tingling perfection, the atmosphere inside Zellerbach Hall, already buzzing from the mere presence of the illustrious Mariinsky Theater (ballet and orchestra), instantly turned spellbinding.
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Ionesco’s ‘Rhinoceros’ charges into Zellerbach

Imagine striding along the grand-rue of a tranquil French village, whereupon you suddenly cross paths with an agitated, stampeding rhinoceros trampling everything in its way. What would you think? In essence, this is the question asked by Eugene Ionesco in the first act of his supremely absurdist play “Rhinoceros,” performed
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This Week in Arts

VISUAL ART Beginning next week, artists and art groups will fill public spaces in San Francisco’s Central Market neighborhood with their latest artwork, crafts, and performances as they collaborate in the 24 Days of Central Market Arts Festival. With special events and activities running through the entire few weeks concentrated
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