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Private Eye

Clint Eastwood’s screen biography of iconic former FBI director J. Edgar Hoover falters in its depiction of its complex subject.

It seems like Clint Eastwood is bent on coming out with a new movie (or two) every fall. The darkened faces draped in heavy shadows seen throughout his films hint at the possibility of emotional grandeur. But as of late, with each over-hyped release an inescapable feeling of disappointment has
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