Kelvin Mak_Online

The paradox of performance

Cutting Room Floor

This is a confession. I perform everyday, in the sense that I act unlike who I think I am in order to assure myself that I’m not alone. And I don’t know if I’ll ever stop performing, whether I should or shouldn’t be, and whether there’s such a thing as
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Lindsay_rgarner

It’s lit with Lindsay: A tale for the time being

December-January Haul: “You and Three Others Are Approaching a Lake” — Anna Moschovakis “The Same-Different” — Hannah Sanghee Park “The Nature of Mathematics” — Max Black “Aerial 10” — Lyn Hejinian “A Tale for the Time Being” — Ruth Ozeki Near the end of December, in the middle of belatedly
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wind

‘Wind/Pinball’ offers lucid, expansive look at life

Today a household name on both sides of the Pacific, Japanese literary giant Haruki Murakami launched his smooth ascent to global renown with two novels — “Hear the Wind Sing” and “Pinball, 1973” — written on a whim. In an introduction to “Wind/Pinball,” Knopf’s new English translation of his first
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