‘Great Gatsby’ proves dull and depthless

Baz Luhrmann’s adaptation of the iconic novel fails to impress viewers

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Some kind of congratulations should be in order for Baz Luhrmann’s adaptation of “The Great Gatsby.” Somehow, Luhrmann has managed to turn F. Scott Fitzgerald’s iconic 1920s novel of wealth, excess and the death of the American Dream into something I never thought possible — dull. Yes, despite the extravagant Read More…

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ArCATypes: A letter to my lovers

I’ve seen the rankings of good-looking gents. I am a frequenter of the Smouldering Men Appreciation Society on Tumblr. And my Internet history is filled with various “shirtless” Google image search results. Seriously, Google “shirtless Mark Wahlberg.” You’re welcome. So basically, I have a lot of credibility when it comes Read More…

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TV Land: Season Two (Bigger, badder and uncut)

Previously on “TV Land,” the continuing saga of last semester’s arts column had reached its dramatic conclusion. Our protagonist, Jessica Pena, had gone from a fresh-faced upstart to the worst possible level of humanity — someone who openly admitted to liking “The O.C.” Times were bleak, conditions were perilous. “Community” Read More…

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Private Eye

Clint Eastwood’s screen biography of iconic former FBI director J. Edgar Hoover falters in its depiction of its complex subject.

It seems like Clint Eastwood is bent on coming out with a new movie (or two) every fall. The darkened faces draped in heavy shadows seen throughout his films hint at the possibility of emotional grandeur. But as of late, with each over-hyped release an inescapable feeling of disappointment has Read More…