Waterstrider (above) began at UC Berkeley's own Cloyne Court co-op where they still practice

Hospitality, UC Berkeley-based Waterstrider play Rickshaw Stop

Despite both being relatively new to the music industry, headliners Hospitality, recently signed to heavy-hitter Merge Records (Arcade Fire, Conor Oberst, Camera Obscura, etc.) and openers Waterstrider exhibited their strong musical artistry and immense potential last Thursday at the Rickshaw Stop, hosted by Popscene. However, potential should not be taken
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New Diplomat (Gracie Malley/Staff)

Diverse set of SF bands rock Rickshaw Stop

If there was one thing all four bands had in common at the Rickshaw Stop in San Francisco last Saturday night, it was that they were loud. Regardless of each of their distinctive sounds, the Rickshaw Stop’s blaring PA had the crowd dancing and swaying to DJ Aaron Axelsen in-between
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This Week in Arts

Film Peter Greenaway’s “The Cook, the Thief, His Wife and Her Lover” (1989) is not a movie that calls for popcorn, not only because of its twisted antics — running the gamut of blood, shit and piss — but because it is a bold, serious film. Michael Gambon plays Albert
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This Week in Arts

Film This Friday, The Castro Theatre shows Andrzej Zulawski’s newly unearthed “Possession.” This 1981 film has been traveling the repertory circuit, at the BAMcinematek in New York and The Cinefamily in Los Angeles. The film is half body horror nightmare, half poem to broken East Berlin, and a wholly anxiety-filled
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Nick Drake Rickshaw Stop

New Moon: Bay Area musicians collaborate in Nick Drake tribute

Nick Drake’s ability to find a simplistic beauty that eminated a true sense of purity is what sets him apart from other folk artists. His last album Pink Moon is the unexpected and melancholically beautiful offspring of Nick Drake’s final years of depression and self-imposed isolation. His musical work acts
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Portugal. The Man exhilirates at Rickshaw

The walls of San Francisco’s Rickshaw Stop throbbed last Thursday night, stretching like a membranous cell wall to accommodate the radiating energy of the pulsating nucleus within. West coasters White Arrows and Portugal. The Man played to an airtight crowd in the shoebox venue, (enticing) polarized bodies to bump ‘n
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postelles.MCDERMUT

The Postelles exude playfulness and raw charm at Rickshaw Stop

It’s not difficult to imagine the cheerful smiles of the Postelles adorning the walls of a fourteen-year-old girl. Not in the way that Justin Bieber or the Jonas Brothers festoon a tween’s binder. But they are the type of band whose lighthearted rock and happy-go-lucky image recall a more innocent
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