Areyon Jolivette

“Labyrinth: Masquerade” shirks problematic conventions to showcase Blackness as a state of being, rather than a mere opportunity to exploit trauma.

Heavy-handed and direct, Leiva isn’t in the business of reinventing the wheel; rather, he’s oiling the wheel to make sure it can still spin.

The film is what “Scott Pilgrim vs. the World” would look like if a 14-year-old boy watched it once, described what happens and then had a studio turn it into a feature film. 

While, at times, “Woke” has profound things to say about the current social and political climate of the United States, the show often feels overwhelmed by its own mission statement. 

There’s no way we can’t acknowledge this larger-than-life space. Here’s to Slim’s: thirty, flirty and thriving to the very end. 

Both “America” and “My Rajneesh” feel very much like the culmination of Stevens’ niche artistry.

“Wynd #1” is an exciting foray into queer high fantasy, something that we’re seeing a lot of in Dungeons and Dragons communities, which have bled into the comic scene in a big way.