Anagha Komaragiri

Although “Unbreakable Kimmy Schmidt” concluded with its final season in 2019, its newest interactive special, subtitled “Kimmy vs. the Reverend,” is an incredibly entertaining epilogue to the series.

Don’t get me wrong — I liked “Parks and Rec” in high school, but it took on a new meaning for me after I came to UC Berkeley.

While the script includes several clever lines and cheeky references, the overarching plot is too convenient for its own good.

While the storytelling may often rely too heavily on its genre formatting, “Never Have I Ever” ultimately succeeds because of the strength of its writing.

Ultimately, “Beastie Boys Story” more than does its subjects justice — it celebrates them.

The screenplay seems to prioritize a complex romantic storyline over its portrayal of historical events, so much so that its politics become greatly oversimplified.

The film’s distinct visual style elevates both the script’s poeticism and the cast’s performances.

The most refreshing aspect of “Ramy” is not merely its representation of a modern Muslim American family — representation that is sorely lacking in most film and television — but also the realism through which it tackles this representation.

Hulu released just the first three episodes of “Mrs. America,” a show that follows the 1970s movement to pass the Equal Rights Amendment (ERA), which is a proposed piece of legislation — it remains unpassed today — designed to guarantee legal rights for Americans regardless of sex.

“Tigertail” may be more of a tragedy than a feel-good film, but it is a story that follows the reconciliation of its central father-daughter relationship and the redemption of its protagonist.