Afton Okwu

“The Haight-Ashbury Experience and the Pursuit of Happiness: The Photography of Herb Greene” is a perfect time capsule, stills from '60s San Francisco preserved in time.

Born out of Indigenous American and African textiles, the Gee’s Bend quilts have come to represent the fortitude of African American culture.

As we each take our moment of transitory reprieve — whether by train, plane, car or subway — here are some songs to offer an empathetic companion.

Hosted by the ever-spooky and legendarily kooky John Waters, the festival was a love letter signed in blood to all things anomalous.

In addition to expertly telling a story of political and familial turmoil, the production operates with time in flux. Every vignette of a memory passed is immaculate — a prose conveyed in a flourish of philosophies and family ties.

As Huestis and Molitor have known each other since their early days in the Castro, the documentary embraces a level of intimacy lost in other recounts of history.

In her first feature documentary, “Impresario,” director Lauretta Molitor managed to capture Marc Huestis' ethos.

The storytelling method of bringing word to picture is built on the idea that anything that can be drawn can be believed. It is one of the few places where the fantastical is expected, the envelope is begging to be pushed.

Spunky and sweetly sardonic, the rapper has been parading around North America since February in the Call Me If You Get Lost Tour.

With overwhelming complexities, Williams and Hearne managed to capture the pain and confusion coupled with racial dynamics in America. The instrumentation is chaotic, almost biting at times, with a layered libretto that begs for interpretation.