Caroline Smith

“The Bachelor” franchise is about heterosexuality — it’s not a show that knows how to handle LGBTQ+ identities. The franchise is so rooted in the heteronormative “romantic love” of a cisgender boy proposing to a cisgender girl at the end of the show that anything outside of that formula does not compute.

Colette’s sexuality is what allows the film’s narrative to unfold. Her queer identity is what allows the audience to get to know Colette and her associations and aspirations.

Kali Uchis began her set from behind a curtain, her silhouette perfectly framed by a spotlight, the stage lit by red floor lights. Arching her back as she cooed the opening of “Dead To Me,” she soon cut through the curtain’s central split and appeared.

The project, founded in 1963, houses the Mark Twain Papers, an extensive collection of the private manuscripts, sketches, essays, poems, notes, photographs and letters of the man behind the pseudonym, Samuel Clemens

What most strikes anyone watching “The Miseducation of Cameron Post” is its abrupt moments of humor, given the film’s melancholy subject matter.

Friday was so cold that The Weeknd could hardly feel his face, while Saturday left fans with sunburns that rivaled the red of Florence Welch’s iconic hair.

With a decade under its belt, Outside Lands 2018 knew what it was doing — repeating multiple artists from its first lineup while also finally managing to have female headliners.

Bon Iver's music possesses an intimate, private quality best described by the lyrics of Bon Iver’s songs themselves, which all convey emotional depth.

Live, all of the songs off the band’s most recent album — 2017’s Woodstock — sound less pop-like, free of studio retouches.