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The film offers an in-depth and spirally look at a case that slowly and surely becomes more than it appears at first glance — even if it doesn’t settle on any clean cut answers.
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What results is a largely uneven adaptation that places its entire weight on its lead actress, Cate Blanchett, missing out on what made the book so appealing.
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To borrow some terminology from the Carters, this year’s Outside Lands “was a fucking zoo.”
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On Saturday, Hozier gave the most action-inspiring performance at Outside Lands and Childish Gambino attracted the largest audience in the festival’s history.
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On the final day of Outside Lands, performers brought on performances worthy of the titles of slowest burn, most stylish, strongest groove and most tritely eloquent.
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The second day of Outside Lands experienced the most exciting festival debut, the best throwbacks and the most potent dad energy of the weekend.
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The first day of Outside Lands saw the most emotive, in sync, saxophone-centric and floppy sets of the festival.
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On Friday, Twenty One Pilots, The Lumineers and Flying Lotus boasted, respectively, the most risk-taking, nautical and surreal sets of the weekend.
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What’s not rare is the cancellation of a series with all of these tangibly significant characteristics before it’s received its due creative course.
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The festival, the first and largest of its kind, serves to amplify a set of narratives whose right to be spoken proves increasingly contested.
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