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“Just write what’s true. No bullshit songs.” she said. This sentiment resonates through her music’s sound, which conjures elements of pop through dry vocals and experimental production.
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The 1975 doesn’t shy away from cultural commentary; rather, it focuses its music directly on the United States’ most politically polarizing subjects. The group covers topics from the disproportionate incarceration rate among Black men to the Syrian refugee crisis.
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“There’s no limits, there’s no ties — I feel like love is so important,” said singer-songwriter Harry Hudson in an interview with The Daily Californian. “It goes beyond work, it goes beyond career, it goes beyond what’s happening in the moment.”
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Kuchar is a musician, an educator, a performer and a member of the Jewish community — a background shared with Troye Sivan. “He’s another Jewish kid from Australia, and he has a lot of ties particularly to the Jewish community that I grew up in,” Kuchar says.
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In a fatalistic sweep, digital media has instilled civic apathy in the young — the result of an overloaded sensorium in face of unproductive online discourse.
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It’s not just a performance — it’s a celebration; of raw emotion, of music, of the capacity for musicians to connect to an audience. “Xichulense Yo Soy” the Ensambles Ballet Folklórico de San Francisco’s 25th-anniversary show prompted rapturous shouting and applause last Saturday throughout Cowell Theater.
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