Cameron Opartkiettikul

“Gloria” controls the brilliant comedic energy throughout, emanating the flamboyance of television sitcoms.

Berkeley Playhouse revives this story outstandingly, proving to audiences why the musical deserved such recognition.

He’s a connoisseur in all areas, and his solo act at The Marsh Berkeley demonstrates the amazing range he possesses.

Each actor portrayed their characters’ singular perspectives as the musical’s narrative progressed, channeling the swoons and sorrows of every musical number.

“The Lion, the Witch and the Wardrobe” is creative, simple and coordinated in a fashion that keeps kids in a state of wonder, bolstering children to enact and live their own fantastical dreams.

All ideals are up for deliberation, and these notions become stuck in convoluted abstractions that lead to lost destinations rather than discoveries. 

At least “Toy Story 4” has a mildly acceptable plot, whereas the storytelling choices in “Frozen 2” leave much to be desired.

It’s hard to pinpoint which direction “How to Transcend a Happy Marriage” embarks on, though, because it travels through numerous ideologies.

The story, written by Ryan Parrott, doesn’t waste time, moving as fast as a Marvel film and pacing itself on the edge of exuberance.

“The Two Popes” picks viewers’ brains in a relevant political age and atmosphere.