‘Gloria’ is hysterical yet somber at American Conservatory Theater

“Gloria” controls the brilliant comedic energy throughout, emanating the flamboyance of television sitcoms.
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“Gloria” controls the brilliant comedic energy throughout, emanating the flamboyance of television sitcoms.
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Berkeley Playhouse revives this story outstandingly, proving to audiences why the musical deserved such recognition.
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He’s a connoisseur in all areas, and his solo act at The Marsh Berkeley demonstrates the amazing range he possesses.
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Each actor portrayed their characters’ singular perspectives as the musical’s narrative progressed, channeling the swoons and sorrows of every musical number.
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“The Lion, the Witch and the Wardrobe” is creative, simple and coordinated in a fashion that keeps kids in a state of wonder, bolstering children to enact and live their own fantastical dreams.
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All ideals are up for deliberation, and these notions become stuck in convoluted abstractions that lead to lost destinations rather than discoveries.
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At least “Toy Story 4” has a mildly acceptable plot, whereas the storytelling choices in “Frozen 2” leave much to be desired.
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It’s hard to pinpoint which direction “How to Transcend a Happy Marriage” embarks on, though, because it travels through numerous ideologies.
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The story, written by Ryan Parrott, doesn’t waste time, moving as fast as a Marvel film and pacing itself on the edge of exuberance.
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“The Two Popes” picks viewers’ brains in a relevant political age and atmosphere.
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