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Set in Vienna in the late 19th century, “Anatol” follows the romantic dalliances of the namesake protagonist, an aging Austrian playboy in constant search of female affection. The play is an episodic depiction of Anatol’s many interrelated affairs, each depicting him simultaneously deluding and distrusting himself with his women. Originally
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Our lead critics bring you the latest and greatest in Bay Area arts and culture this week. Film Wednesday afternoon, Pacific Film Archive hosts the last of its Film 50 series, a course taught by Marilyn Fabe which surveys a variety of films from different eras and sensibilities. This year’s
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Nineteenth-century London — that grimy, Industrial Age time — is frequently dreamed up in novels and films as a place of chimney smoke and dark alleys, rogues and street urchins. In short, it’s a dog-eat-dog world. This is literalized in the BareStage Productions’ “Sweeney Todd: The Demon Barber of Fleet
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Visual Art: Cal Day is approaching, and Saturday’s flurry of events will offer art lovers unexpected opportunities for special tours, exhibitions and demonstrations. These art-related events are not just for bright-eyed future Cal bears and their parents, but are also offered to the general public. At Free Speech Movement Cafe,
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Our lead critics bring you the latest and greatest in Bay Area culture for this week. Film Our very own Pacific Film Archive mixes, as it were, sound and image in the next installment of its Cine/Spin series, where Cal DJs take on films from the PFA collection. On Thursday,
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Beginning this Friday, Berkeley’s very own Aurora Theatre Company will present “Anatol,” a lighthearted comedy about a casanova’s attempt to find true love. The play is set in turn-of-the-century Vienna, which is faithful to the time period of the playwright, Arthur Schnitzler. Schnitzler was an influential critic, novelist and dramatist
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Film Peter Greenaway’s “The Cook, the Thief, His Wife and Her Lover” (1989) is not a movie that calls for popcorn, not only because of its twisted antics — running the gamut of blood, shit and piss — but because it is a bold, serious film. Michael Gambon plays Albert
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“What do you see?,” grunted an artist in paint-splattered clothing. The question, repeated several times in the first moments of Berkeley Repertory Theatre’s “Red,” was directed to his young assistant. There’s clearly an imbalance in the dynamic. The older man’s severe glasses channeled the sheer force of his personality, whereas
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As I talked about in This Week in Theater, John Logan’s “Red” is currently showing at the Berkeley Rep today. “Red” is a two-character drama about the abstract expressionist painter Mark Rothko and his apprentice. As many of you probably know, Rothko is the influential artist most famous for his
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