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“We will be judged by how well we love.” This line, spoken by the title character in Toni Morrison’s “Desdemona,” easily sums up the production’s perspective on humanity: We will not be judged by how successful we are, nor by how many friends we have, not even by how many
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Everything about Justice’s image screams rock star, from the gothic cross right down to the leather jackets. It was only a matter of time before the French electronic duo would attempt to craft some rock music of their own. I’ll admit I was skeptical when I heard that this was
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Biophilia is not easy listening. The Icelandic singer and electronic composer has outdone herself on her eighth album, and the end product is brilliant but also intense. Since her debut in 1992, Bjork has conjured a reputation for pushing the envelope and pioneering new experimental sounds. But not even the remixed
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Only putting out one album every few years is a risky move. The artist has more time to perfect his work, but that doesn’t make a record immune to negative reception. DJ Shadow should have learned this when his 2006 album The Outsider received universally poor reviews. Yet the San
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There’s nothing special about the new Clap Your Hands Say Yeah album. After a five-year hiatus, one would expect the indie rockers to return with a bang. Instead, they have retreated to unrecognizable mediocrity on Hysterical. CYHSY’s self-released, self-titled debut album was all the rage in 2005. The lovably quirky
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Party rap acts are a dime a dozen these days. Without a fresh flow, creative beats or some sort of gimmick, it’s hard for an artist to stand out in a sea of Ke$ha and Lil’ Wayne knock-offs. For Inglewood’s Cali Swag District, this gimmick was undoubtedly their resident dancer
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As the electronic music scene continues to explode into just about every other genre, it’s hard to imagine that it has any naysayers left. But if it does, Digitalism’s latest effort I Love You, Dude is sure to convert them. The German DJ duo employs heavy bass lines, unplugged vocals,
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Lady Gaga’s claims of classic rock and art school roots have been criticized as “all talk.” Many still see her as another pop star who has lost her marbles. In response, her sophomore LP has traded double entendres and bubble gum club beats for Madonna-inspired anthems and a venture into
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