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BERKELEY'S NEWS • MAY 24, 2023

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Emma Murphree

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To date, this column has taken a broadly anti-AI and AI art stance. I intuitively know that the primary reason I feel this way is due to a personal aesthetic aversion to AI art.
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To date, this column has taken a broadly anti-AI and AI art stance. I intuitively know that the primary reason I feel this way is due to a personal aesthetic aversion to AI art.
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Consumption for consumption’s sake is something I think we all engage in to a degree, but maybe some of us are more prone to it than others.
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Consumption for consumption’s sake is something I think we all engage in to a degree, but maybe some of us are more prone to it than others.
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The appeal of a Shygirl concert logically hinges on atmosphere — luckily they were dialed to seductive sublimity March 21 at The Regency Ballroom in San Francisco.
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The appeal of a Shygirl concert logically hinges on atmosphere — luckily they were dialed to seductive sublimity March 21 at The Regency Ballroom in San Francisco.
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Borden appeared at BAMPFA the weekend of March 17-19 for a reverse-chronological showing of each film in the trilogy, beginning with “Working Girls,” followed by “Born in Flames,” and concluding with her first and long “closeted” feature, “Regrouping.”
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Borden appeared at BAMPFA the weekend of March 17-19 for a reverse-chronological showing of each film in the trilogy, beginning with “Working Girls,” followed by “Born in Flames,” and concluding with her first and long “closeted” feature, “Regrouping.”
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An otherwise bleak semester turned decidedly sunnier last week with the return of “Succession” for its final season.
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An otherwise bleak semester turned decidedly sunnier last week with the return of “Succession” for its final season.
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For days when the thought of watching a Criterion Collection film or, God forbid, cracking the spine of a book conjures a wave of nausea, I turn to reality TV.
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For days when the thought of watching a Criterion Collection film or, God forbid, cracking the spine of a book conjures a wave of nausea, I turn to reality TV.
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Belonging to the small but vocal minority of people who spend too much time on Twitter, I typically first encounter media and art in their abridged, non-contextualized states before I ever consume them the way that we are “supposed to.”
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Belonging to the small but vocal minority of people who spend too much time on Twitter, I typically first encounter media and art in their abridged, non-contextualized states before I ever consume them the way that we are “supposed to.”
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Speaking with McHayle, it's incredibly evident (despite her laissez-faire attitude towards men, naysayers and the industry) just how seriously she takes herself.
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Speaking with McHayle, it's incredibly evident (despite her laissez-faire attitude towards men, naysayers and the industry) just how seriously she takes herself.
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In the aesthetic wasteland, personal artistic tastes are merely superficial. Where they once functioned as a means of sculpting one’s identity, they now serve a higher power: selling stuff.
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In the aesthetic wasteland, personal artistic tastes are merely superficial. Where they once functioned as a means of sculpting one’s identity, they now serve a higher power: selling stuff.
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What gets churned out by AI is inherently antithetical to art, so why do we labor to maintain that it might still have creative utility?
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What gets churned out by AI is inherently antithetical to art, so why do we labor to maintain that it might still have creative utility?
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