Francesca Hodges

“Euphoria” never intended to accurately depict the events of a typical, cookie-cutter high school, but rather to draw attention to harsh realities. 

In addition to diversifying the symphony’s typical Western repertoire, the concert hall also captured a less sterile and proper sentiment. Such an achievement came to fruition because the program not only celebrated music but also culture and community.

The venue’s small stage seemed to stagger with the weight of the young star.

Horn’s live performance took on a life of its own, as each improvisation came from the moment, specially crafted for the audience on that particular night. As Horn prepares for the release of her third studio album under her very own label, Empress Legacy Records, one can only wonder what new surprises she will share with her willing audience. 

The comedy-drama’s second season is pulled from the genius mind of screenwriter Tony McNamara and comes back bolder with its dry-humored dialogue.

While TOPS may be named titans of the Canadian indie scene, the band left plenty of room for simple fun and quips amongst themselves and with the crowd.

Crumb’s 13-piece set charmed with contrasting styles and tempos, the group melting loose jazz with vibrant cadences that enlivened even their slower ballads.

What Huichica lacked in accessibility, it made up for in priceless moments where the personality of each artist felt palpable.

Each vibration of the venue’s floor testified to De Souza’s ability to guide a crowd from the verge of heartbreak into overwhelming joy.

Curating intimacy in a room full of strangers, Marinho’s concert proved that her talent for captivating a crowd is like no other.