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The vision of “The de Young Open” combines two phrases that are not often heard together: “local community” and “the fine arts.”
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Zheng’s work is driven by a keen interest in geometry, mathematics and ordered systems — and ways to disrupt them.
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In a Zoom interview with The Daily Californian, Dooley and Rondon-Davis discussed how their programming, company members and theater-making have all pivoted in the wake of COVID-19, or the novel coronavirus.
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Geffen described how the impacts of COVID-19 have forced many to confront how tenuous existence is at both the individual and organizational levels.
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Perhaps the truth is, that for once in my life, there isn’t any chaos lurking behind the projector — it’s just me making shadow puppets with my hands.
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You can see why Joan Didion is so well known for her nonfiction. She takes a political event and transforms it, dresses it up, takes it out to lunch and then deconstructs it.
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There is a tune that I would have described as “our song” while we were together, but it is entirely inappropriate for a wedding.
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Admitting that I want to be a writer frightens me because it feels as though I would have to relinquish my own temporality.
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The year 2016 was supposed to be one of infinite promise. I turned 19 harboring the secret belief that it was an auspicious age.
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But the true chaos of hyperrealist art is that it takes reality and makes it excruciatingly real, moving it intimately closer to the eye.
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