Blue Fay

In an interview with The Daily Californian, Marsha Reid, the director of Kindred Arts, discussed what it’s like to go on tour with three statues.

“Mirror Effect” rests upon seductive combinations of glass, light and negative space — suggestive of a state in which everything is fluid and all views are unobstructed.

In an email interview with The Daily Californian, Wiedel recalled the events of the 1969 protests in People's Park, now more than fifty years ago.

From the opening credits, Daniels’ film demands a diegetic performance of the standard, a vocalization of the unusual bond between singer and song that drives the entire narrative forward. And Day delivers. 

Clifton’s writing on illness and medical treatment is sharp, critical and socially engaged, but it also reflects something deeper. Perhaps we can call it self-love.

Rosi shows his subjects in moments of extreme vulnerability, bringing his camera into spaces of profound loss.

“One Night in Miami” is a spectacular debut for King and should put her, Powers and Ben-Adir on track for further triumph at the 93rd Academy Awards.

The poems of this collection talk to each other, like neighbors carrying on a conversation through open, opposite-facing windows across the street.

“These artists and their practice are an invitation to rethink aesthetic hierarchies at the center (of mainstream art) and to expand the borders of how art history has typically been run,” she said. 

“Where Do We Go?” presented an arresting technological display that made the event more than just a privatized concertgoing experience.