Ian Fredrickson

M.I.A.’s impact on the pop music ecosystem cannot be overstated. The London-born, Sri Lankan Tamil musician’s distinctive sound has seeped its way into the mainstream, and for good reason.

While Asphalt Meadows is by no means perfect, it serves as proof that Death Cab for Cutie is here to stay.

Lacking the auditory depth that made her 2017 single “Alaska” a hit, much of the LP feels one-note, both in the literal and figurative senses.

Filled with folk-rock perfection, the dual album makes it extremely clear that the musician has found her songwriting sweet spot.

On his latest record, Meet the Moonlight, Johnson’s emblematic stylings from the early aughts remain –– now, however, they shine with significantly less charm than two decades prior.

“Montana Story” may not be a highlight of this year’s film releases, but it provides a moving, distinctive take on the family drama, and it is certainly worth the watch.

Music beats Lauren Harvey and Ian Fredrickson are here to guide you through the April music releases you won’t want to skip.

Fifteen tracks long and filled to the brim with Peck’s improved musical stylings, the record’s title is a fitting representation of the musician’s growth since 2019.

Well worth the two-year wait, the future of the Sawayama enterprise is even brighter than it was in 2020.

alt-J’s musical mindset has focused on its songwriting talents from the days of An Awesome Wave — and for good reason. Yet, the band’s ethos has taken a massive shift when it comes to balancing their lives on and off of the stage.