Joy Diamond

From film beat reporters Emma Murphree and Joy Diamond, here are picks for what will win — but more importantly — what should win March 27.

Landmark Musical Theater’s “You’re a Good Man, Charlie Brown” is a fantastic musical production that appeals to all audiences, capturing the essence of childhood and Schulz’s cherished characters with ease.

SF Ballet’s latest is particularly charming and inviting, sure to offer riveting entertainment for everyone.

“It felt like we spoke the same language in terms of storytelling,” Freeman explained in an interview with The Daily Californian.

This universally beloved story about struggling with self-image and unrequited love can be enjoyed by all audiences, and Joe Wright’s 2021 film adaptation carries on this legacy.

February is not short of hidden gems, and film beat reporters Joy Diamond and Emma Murphree are here to give input on which new releases shouldn’t — or maybe should — go under your radar.

With each new Shakespeare adaptation attempting to bring something new to these familiar stories, there comes the challenge of introducing original elements while preserving the essence of the Bard.

Goldfield, a Bay Area native, has been working in local theater for over 30 years. Though she is mainly a performer and director, Goldfield has worked in just about every theater position there is, from makeup to hair to costumes to props.

Although Slate and Day give outstanding performances, they are forced into a largely uninspired rom-com plot that doesn’t devote enough time to showing the two when they’re at their best — when they’re together.

“The Kind Ones” may be a bit rough around the edges, but it’s certainly not without merit.