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The Bay Area Book Festival embodies the communal aspect of literature — its potential to bridge differences and highlight commonalities.
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Thomson noted that being able to intrude upon the lives of others is taboo in real life but is a fundamental aspect of desire in movies.
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Choosing whether or not to have children, the panelists noted, is one of the most consequential decisions a woman has to make.
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The film, while at times visually interesting, scarcely graduates beyond vibrant lights, inexplicable horse shots and a hardly compelling underdog of a protagonist.
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Mary Kay Place hits every beat as the titular character, a 70-year-old widow.
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The subtlety in the film is admirable — Gloria’s character development is soft but significant. But the script leaves more to be desired.
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Whether it be in film or theater, the art of directing is one that is vastly foreign to the general public. Directors are the silhouettes dancing gracefully but almost anonymously behind a curtain, the quiet inventors with secret talents for sculpting narratives.
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Lelio was invigorated by the idea of a new “Gloria.” As he explained in an interview with The Daily Californian, his motivation came primarily from one source: Julianne Moore.
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“Eden” follows his character through his journey at an integral, transitional period in French electronic music, capturing the chaotic, energized feel of the rave scene.
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Containing a soulful jazziness in its sound and a spoken word element in its intellect, “Song 31” is worth attuning your ears to. With such consistently clever lyrics, Noname proves that she has something to say on all her tracks — “Song 31” is no exception.
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