'No’ offers reinterpretation of Chile’s violent past
There is a moment toward the end of “No” when the camera lingers on Gael Garcia Bernal’s eyes for a moment as he realizes for the first time that his family could be killed by Chile’s authoritarian government.
'No’ offers reinterpretation of Chile’s violent past
There is a moment toward the end of “No” when the camera lingers on Gael Garcia Bernal’s eyes for a moment as he realizes for the first time that his family could be killed by Chile’s authoritarian government.
I’ve followed the Oscars for quite a few years now, and I always ask myself, “Why do I still care?” Simply because the Academy is an institution that exists to celebrate a common interest: movies.
I’ve followed the Oscars for quite a few years now, and I always ask myself, “Why do I still care?” Simply because the Academy is an institution that exists to celebrate a common interest: movies.