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After an excruciating three-year wait since the release of his last album, Earl Sweatshirt’s minimal yet lyrically and emotionally dense Some Rap Songs delivers on its immeasurable hype — it is the album of the year.
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The Bay Area stop on her second tour in North America this year proved a massive success to an extremely receptive international audience.
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Smino’s sophomore effort NOIR is a masterclass in idiosyncrasy that mostly delivers on the rapper’s enormous promise but is held back by confusing stylistic choices that impede its natural flow.
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Mitski’s show Saturday night at The Warfield in San Francisco was a perfect reflection of her musical ethos — her unabashed refusal to hide her personality while performing made for an intimate yet distant experience that mesmerized her die-hard audience.
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Tame Impala’s headlining set Sunday at Treasure Island Music Festival was a fitting end to the weekendlong spectacle. The band’s minimalist, charismatic stage design and live performance culminated in a trippy yet immersive event that tore down the confines of the stage and mesmerized the gargantuan audience.
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Both A$AP Rocky and Treasure Island had to prove their relevance to their Bay Area audience. Both were being scrutinized, and in trademark fashion, A$AP Rocky eclipsed every other performer to create a fully immersive experience with his headlining show.
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While Sheck Wes’ debut Mudboy ushers in a new wave of punk-trap music, it fails to deliver on the high expectations set by its groundbreaking singles.
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Treasure Island is a two-day festival that features a lineup geared toward high-energy hip-hop and dance acts on the first day and laid-back rock and indie performers on the second.
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After a prolific 2017 and a comparatively quiet 2018, Texas boy band Brockhampton’s RCA Records debut “iridescence” stays true to the band’s ethos while successfully executing on an ambitious push toward new musical territory.
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Fashion Friday continues with a twist!
