Tom Misch’s ‘Quarantine Sessions’ is intimate guitar-driven relaxant
The album is a delightful listen where Misch’s talents as a musician go beyond the work he has produced in the past, pulling from genres outside the realm of R&B guitar.
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Author Archives: Kaitlin Clapinski
Surprisingly sweet Netflix original ‘He’s All That’ isn’t as intolerable as it seems
The acting is far from phenomenal — sometimes cringeworthy — but in its small, intimate moments, the film manages to make up for its faults.
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Big Red Machine’s ‘How Long Do You Think It’s Gonna Last?’ is perfectly imperfect
The group’s sophomore effort is similar to their 2018 self-titled debut, yet refines their experimental sound into one that feels even more entirely their own.
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Still Woozy’s ‘If This Isn’t Nice, I Don’t Know What Is’ is unskippable, eclectic
The album as an entity champions over his past pursuits in singles, proving his upward movement as a meticulous artist that makes music for easy listening.
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Billie Eilish effortlessly balances tragedy, joy on ‘Happier Than Ever’
Most of the album is a vulnerable insight into Eilish’s personal life, but it also dives into themes of discovering self-respect and confidence throughout the whirlwind of growing up.
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Normani’s ‘Wild Side’ is sizzling, sultry, confident
“Wild Side” is the definition of a confident yet cool summer anthem that — while slow in its approach — is still catchy and confident in its lyrics and melodies.
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Off-kilter ‘Too Late’ is decently entertaining horror comedy
D.W. Thomas’s debut feature film is awkward, but suitable to its premise as it navigates between different subplots and the typical gore and suspense of a scary movie.
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CHVRCHES single ‘How Not to Drown’ suffocates under different sound
“How Not to Drown,” released in preparation of the band’s upcoming album Screen Violence and debuting Aug. 27, features Robert Smith of The Cure — making for an awkward pairing and overall disconnected track.
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