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When you’re forced to put away your phone for two hours and focus on strangers inhabiting a different world, the fear that life might be slipping through your fingers fades into the background.
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Much like the herb that gives the film its name, “Minari” is unassuming, almost invisible at first. But as it grows, delicately planted in the hearts of its viewers, it blossoms into something vibrant and enticing.
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“WandaVision” is a wonderfully acted, fascinating and sometimes delightful series, albeit one that occasionally suffers from a reluctance to depart from its parent franchise.
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“Chapter 16: The Rescue” opens with a bang, and the energy never wavers. Mando and company are on a mission to rescue Grogu from Moff Gideon, a quest that Mando has made clear will not be impeded by anyone.
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Though Grogu is completely absent from this week’s episode of “The Mandalorian,” he is by no means forgotten.
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“I was very excited to be a part of this show that tells the story of a Black American woman in this finance industry that is not what you would expect it to be,” Herrold said.
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“His Dark Materials” is faithful to a fault: It adapts nearly every detail from the source material, sacrificing even dynamic pacing in the process.
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To be sure, Mando has his own heavyweights on his side, but the final two episodes are shaping up to be quite the challenge.
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“Chapter 13” wastes no time in placing Ahsoka at the center of the story.
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The addition of Diana (Emma Corrin) breathes new life into the show; the episodes that center around her metamorphosis into the People’s Princess are some of the series’s best.
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