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Much like 2020, the storyline has no singular beginning, end or objective. Rather, each scene speaks to a different aspect of the universal 2020 experience.
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The exceptional abilities of this drama’s cast are what truly bring “The Bluest Eye” to life.
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Although Brothers settles upon loss as a subject of contemplation, there are enough jovial, light hearted moments that the play never sinks into a depressive stupor.
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“[Hieroglyph]” elicits a range of turbulent emotions, as many moments of the play are heart-wrenchingly unfair, unanswered and unspoken.
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Overall, the panel was a succinct sampling of Mehta’s work, and included an important discussion about the lack of support, options or help that sexual violence survivors are offered.
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Williams explained, “The original novel was written by Toni Morrison, a Black woman, and she wrote it to communicate what Black people as a whole experience, but in particular, Black girls.”
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Wolfe’s journey to becoming the well known “virus hunter” is a story that everyone needs to hear.
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“Fuck Anyone Who’s Not a Sea Blob” is a beautiful visualization of Jules’ journey toward expressing her true self, rather than what others expect of her.
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“Herself” is a heartwarming tale of resilience and community that showcases how coming together and supporting one another can create something beautiful.
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This episode provides the show’s most involved character development yet, as the painful experiences and resilience of both Rue and Ali are revealed.
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