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While “Framing Britney Spears” might not be concrete enough to be used in court against Spears’ conservatorship, it could easily catalyze a reckoning of the abuse she faced at the hands of the media.
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While Thicke’s soulful flavor is muted in his new work, listeners still won’t be mad about investing a mere half hour into On Earth and Heaven, which is overall a lovely comeback to be admired and then forgotten.
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While audiences might find it conflicting to be introduced to the often untaught history of Hampton’s 1969 assassination through the protagonizing of his traitor, O’Neal’s moral questionability functions as an unexpectedly perfect entry point for the film’s philosophies to suffuse into its viewers’ consciousness.
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The cast made it clear that if not just for the pertinent history lesson, every young person needs no more reason to stream “Judas” than to remind themselves of their own potential.
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“You carry around stories in your body,” Gotanda postulated. “They roll around, tumble around and gather flesh as you live your life.”
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The album prioritizes camp and wit over vocal technique, boosting the plot of its film and, as a result, the morales of young queer listeners.
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“The Jinkx and DeLa Holiday Special” manages to make naked Jesus and Christmas day-drinking feel more wholesome than a Hallmark movie.
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“I think it’s that appreciation to be making something joyous that’s going to bring joy to a lot of people,” BenDeLaCreme said.
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In her 2020 rerelease, My Life (Deluxe/Commentary Edition), Blige mingles the details of her creative process with the songs themselves.
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Between the Zoom setting, the split-play format and the timing of the premiere in relation to the election, “The Private Life of the (Not So) Master Race,” directed by Susan E. Evans, was strategically impactful and enjoyable.
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