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Despite the closeness built into the New Parish, dramatic lighting from the tech crew and Duckwrth’s punk-edged showmanship allowed the show to straddle both thrasher energy and in-your-feelings intimacy at will.
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Before taking the stage at The New Parish on Sept. 9, rapper-songwriter Duckwrth sat backstage in an interview with The Daily Californian, reflecting on bringing his SuperGood tour to a place close to his heart.
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Last month, before hosting Storefront Records’ fourth open-air market — the “Fountain of Youth” eat-and-greet — the musician discussed his vision with The Daily Californian.
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The Fox Theater encouraging not only the participation of roller skaters for the block party, but all femme skaters in general, was a dream come true for some.
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Although not a contender for comparison with his most celebrated social commentary projects, Prince’s latest posthumous album feels cohesive enough to have been released and unquestioned as a part of his 21st century discography.
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Preceding a roundtable interview with the rest of the cast, writers Lin-Manuel Miranda and Quiara Alegría Hudes explained their practice of “Paciencia y Fe” (patience and faith) to The Daily Californian.
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“I’m very very excited about that because it shows all the different sounds that I’ve been playing with over the course of these singles over the past year,” emphasized Maasho.
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In an interview with The Daily Californian, Miami-based singer Hoosh explained: “The whole concept of it is like … I have no idea what the fuck is going on, does anybody else have any idea what the fuck is going on?”
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In a roundtable interview with The Daily Californian, Brian Tyree Henry and Julian Dennison gave their perspectives on the long-awaited clash between mythic adversaries Godzilla and King Kong.
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While “Framing Britney Spears” might not be concrete enough to be used in court against Spears’ conservatorship, it could easily catalyze a reckoning of the abuse she faced at the hands of the media.
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