As an independent student newspaper and the paper of record for the city of Berkeley, the Daily Cal has been communicating important updates during this pandemic. Your support is essential to maintaining this coverage.
From dwarfing, panel-dominating architecture to dynamic and sensational action sequences, “House Atreides” brings a pulpy vibrancy to both Dune’s slick tech and traditional fantasy elements.
Read More…
It’s in these moments that the shortcomings of “Borat 2” are most obvious: There isn’t anything to be learned from its central experiment.
Read More…
It’s a grandiose recount of a historical event, hellbent on catching every ounce of drama from every angle.
Read More…
“The Artist’s Wife” squanders the talent of its award-decorated principal actors with the uncompelling characters it offers them.
Read More…
Don’t let its crude and irreverent sense of humor fool you: “Dick Johnson is Dead” is a masterwork in deeply empathic filmmaking and a film entirely unlike anything else.
Read More…
While “The Boys in the Band” refrains from reimagining its source material, at the very least, it preserves the narrative’s strengths in all the right places.
Read More…
From big-name blockbusters to festival favorites, September brought an influx of diverse films to a variety of streaming services and online platforms.
Read More…
The film feels like an above-average episode of the original series in many ways — and more often than not, this is a mark in its favor.
Read More…
“Antebellum” criticizes the most extreme forms of white supremacy, but offers little to no commentary on the covert, just as harmful behaviors of less hyperbolized actions.
Read More…
Though its positive marks occasionally outweigh its negatives and may indeed mark a promising career for its debut curator, “The Broken Hearts Gallery” leaves little more impression than a flashy pop-up.
Read More…
