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BERKELEY'S NEWS • SEPTEMBER 21, 2023

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Piper Samuels

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Anti-Machiavellian by nature, the role of “babysitter” requires its soldiers to be loved rather than feared, whether that means serving as second-in-command to a much younger mermaid agent or being on the receiving end of a targeted hotdog spit-up attack.
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Anti-Machiavellian by nature, the role of “babysitter” requires its soldiers to be loved rather than feared, whether that means serving as second-in-command to a much younger mermaid agent or being on the receiving end of a targeted hotdog spit-up attack.
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On May 2, members of the Writers Guild of America, or WGA, dropped their pens and walked out of their writers’ rooms in pursuit of better wages.
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On May 2, members of the Writers Guild of America, or WGA, dropped their pens and walked out of their writers’ rooms in pursuit of better wages.
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They say change is hard to accept, but I think there are levels to it. It wasn’t change that I feared, but its lasting effects — the unchanging nature of change.
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They say change is hard to accept, but I think there are levels to it. It wasn’t change that I feared, but its lasting effects — the unchanging nature of change.
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Making a student film is a lot like making sushi — without the rice, seaweed, fish or knowledge of how to make sushi. But you know good sushi when you eat it, right? 
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Making a student film is a lot like making sushi — without the rice, seaweed, fish or knowledge of how to make sushi. But you know good sushi when you eat it, right? 
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All newly 21 and ready to kick the summer off with a bang, our goal was simple: create the perfect night out in LA. It took a few tries.
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All newly 21 and ready to kick the summer off with a bang, our goal was simple: create the perfect night out in LA. It took a few tries.
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As I begin the process of leaving college and entering “the real world,” it appears that — to the likely disappointment of my professors — my greatest desire is to feel good when I look in the mirror (or open my closet).
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As I begin the process of leaving college and entering “the real world,” it appears that — to the likely disappointment of my professors — my greatest desire is to feel good when I look in the mirror (or open my closet).
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In spite of its arthouse eccentricities, the film’s calm pacing and subdued landscape shots make for a charming, albeit virtually plotless, slice-of-life flick.
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In spite of its arthouse eccentricities, the film’s calm pacing and subdued landscape shots make for a charming, albeit virtually plotless, slice-of-life flick.
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Affleck’s directing strikes the perfect balance between humor and heart; Robert Richardson’s cinematography is dynamic and engaging; and the production design brilliantly embodies 1980s nostalgia.
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Affleck’s directing strikes the perfect balance between humor and heart; Robert Richardson’s cinematography is dynamic and engaging; and the production design brilliantly embodies 1980s nostalgia.
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n an interview with The Daily Californian, French indie filmmakers Lise Akoka and Romane Gueret described how they moved from filling the shots to calling the shots — and who inspired them to do so. 
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n an interview with The Daily Californian, French indie filmmakers Lise Akoka and Romane Gueret described how they moved from filling the shots to calling the shots — and who inspired them to do so. 
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Unlike Paik’s genre-defying artistic style, the documentary maintains a straightforward and academic tone throughout the duration of its clean hour and 47 minutes.
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Unlike Paik’s genre-defying artistic style, the documentary maintains a straightforward and academic tone throughout the duration of its clean hour and 47 minutes.
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