Ryan Garay

“Tiger King 2” is a passive observance of comedic disarray, giving no new insight and taking too few risks.

Tenenbaum and Lewin delivered a performance that lived-up to the quality of their musical recordings, even if it didn’t quite have a range to match. 

Directed by Scott Cooper, “Antlers” tracks the bloody mayhem of folktale turned reality, as the mythical wendigo creature wreaks havoc on a sleepy Oregon town.

It takes risks, it breaks form, and it remains true to what it is — notes on humanity, notes on love, and notes on family. 

Unlike its predecessor, the new album is not a manifestation of love and its endless beauty, but instead, offers a 48-minute account of its dying breaths — and a detailed narration of the grief that inevitably follows.

In its entirety, the film is a subversion of everything its predecessors were and are — ultimately working to reshape the presence of the female character within the fairytale genre.

The transformation from movement to online trend brings a plethora of new factors into play, and the movement against single-use plastics is no exception.

“Zack Snyder’s Justice League” is an all-around improvement upon its predecessor, landing a more uniform tone alongside an intricate, detailed reimagining of its characters.

One can only appreciate Del Rey’s boldness for leaving behind the themes that defined her career and doing so in a manner that remains uniquely her own.

Lyrically, this is Jonas at his absolute best. With this track, he proves a crucial fact about pop music that many in the industry strive to avoid: pop can be real.