Ryan McCullough

Boisterous yet also containing a light touch, the film manages to never betray its own characters for the sake of a cheap thrill or laugh.

Throughout the long, composed evening, Berkeley remained enraptured by the wide-ranging talents of Baker, Van Etten and Olsen.

Email is a medium where it pays to be either concerningly nice or meticulously cruel.

“Crimes of the Future” is a palatable oddball film grounded by Cronenberg’s directorial skills and a talented ensemble.

I’m disappointed my semester-long run as the arts columnist at The Daily Californian isn’t ending with more intrigue. If there’s an arts opinion that could get me canceled by the UC Berkeley student body, thus ending my time here in scandal — I can’t think of it.

These apps are the dining-hall-egg-flavored vape cartridge of the masses, but this also happens to be what makes them fun.

I spent my Saturday avoiding Jewish responsibilities. It was Passover, but I had no plans for a Seder.

In hope of surpassing a measly 4th place finish, we decided to wager all our points on this last shot at a podium finish.

Adorned with more signet rings than released songs, leads Rhian Teasdale and Hester Chambers skillfully powered music’s most exciting new act.

This entire process, from making a LinkedIn to interviewing to email correspondence, is a performative art — especially when you have no idea what you’re really supposed to be doing.