Sarah Alford

Perhaps the curse of every play about morality is that the lesson learned at the end of the play seems too simple to really be impactful.

It seems passé at this point to make an ABBA pun regarding “Mamma Mia! Here We Go Again.” But then again, how could one resist?

“The First Purge” is no exception — the fourth installment’s attempts to introduce new iconography or delve into politics ultimately fall flat.

Mirvish admits, “My career is studded with loopholes” — yet “Bernard and Huey” remains cohesive.

Suffering from a lack of nuance, the faulty execution of “Jurassic World: Fallen Kingdom” matches the dystopian tone of its narrative.

There’s always buzz surrounding a Disney/Pixar release, but the energy surrounding the release of “Incredibles 2” was, well, incredible.

Fans who showed up early to catch two-man band Mapache, the opener for Nicki Bluhm, found a much more subdued, acoustic-forward mood.

“Won’t You Be My Neighbor?” paints a glowing portrait of the late and great PBS icon, creating a sentimental yet touching biography of Fred Rogers.

I’ve met people here that I hope to remain lifetime friends with. I’ve taken incredible classes on science fiction and some of my favorite directors.