‘Everybody’ features talented cast trapped in purgatory of a dated play

Perhaps the curse of every play about morality is that the lesson learned at the end of the play seems too simple to really be impactful.
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Perhaps the curse of every play about morality is that the lesson learned at the end of the play seems too simple to really be impactful.
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It seems passé at this point to make an ABBA pun regarding “Mamma Mia! Here We Go Again.” But then again, how could one resist?
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“The First Purge” is no exception — the fourth installment’s attempts to introduce new iconography or delve into politics ultimately fall flat.
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Mirvish admits, “My career is studded with loopholes” — yet “Bernard and Huey” remains cohesive.
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Suffering from a lack of nuance, the faulty execution of “Jurassic World: Fallen Kingdom” matches the dystopian tone of its narrative.
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There’s always buzz surrounding a Disney/Pixar release, but the energy surrounding the release of “Incredibles 2” was, well, incredible.
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Fans who showed up early to catch two-man band Mapache, the opener for Nicki Bluhm, found a much more subdued, acoustic-forward mood.
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“Won’t You Be My Neighbor?” paints a glowing portrait of the late and great PBS icon, creating a sentimental yet touching biography of Fred Rogers.
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I’ve met people here that I hope to remain lifetime friends with. I’ve taken incredible classes on science fiction and some of my favorite directors.
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Despite its serious subject matter, “Eureka Day” certainly doesn’t avoid comedy and pokes fun at the liberal ideologies embodied through the characters.
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