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Playing to a sold-out crowd, the three giants of 2000s Hot Topic culture set out to bring fans together once again following a year of empty stages and virtual performances.
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First coming together through a series of college jam sessions and Craigslist searches, The Seshen has spent the last decade in an ebb and flow of creativity.
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The album is a major departure from the band’s past work, leaning away from its punk rock roots into more soft bedroom rock territory.
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Death by Rock and Roll is not an uplifting listen, but it still shows significant musical growth between The Pretty Reckless’s third and fourth records.
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In “Cryptozoo,” an intimate sex scene and occasional graphic violence work to make sure you know that this is not necessarily meant for children.
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If there’s anything to take away from this year’s Sundance Film Festival, it’s that someone will have made a tragic mistake if “Coda” doesn’t show up on the roster for several Academy Awards.
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Wright brings an impressive attention to detail in his directing, to the point where anyone who watches the film can instantly read how dearly he admires this goofy glam rock band.
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Although virtual in execution, this year’s Sundance Film Festival has still managed to uplift the heart, passion and technical excellence of the filmmaker’s creative spirit.
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While fans’ priority focus may be on the band’s scattered live performances, the film manages to carry an eccentric narrative that also perfectly exaggerates Pinegrove’s indie-modern aesthetic.
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Part four of Netflix’s “Chilling Adventures of Sabrina” resurrected the ghouls and the hexxing gals from hibernation to celebrate our favorite teenage witch one last time.
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