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Big Thief transported its Bay-Area-hailing fans to the wooden Catskills home recording studio where its past albums magically came into fruition.
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Where “Dog Day Afternoon” garners sympathy for its characters organically and in postscript, “892” endeavors to emotionally control viewers from start to finish.
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“Doctor Strange in the Multiverse of Madness” restricts its scope, dismaying as one of Marvel’s most disenchanting projects.
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With a little faith, trust and “Pu$$y Fairy” dust, the festival seamlessly celebrated the multi-hued brilliance of contemporary R&B and rap’s best acts.
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The Beatles’ beloved music has successfully transcended generations, and Rain: A Tribute to the Beatles is helping keep their flourishing legacy alive.
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Tethered to conspicuously directional source material, the film’s pushback against the defense system and its media corollaries is hermetic and anticipatory of recent events.
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Sharp and transparent, the album radiates a California nonchalantness with astute lyricism.
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Sprinting from side to side of the stage, girl in red entranced the crowd, fueling concertgoers with dynamic zest.
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The immersive three piece set boasted an eclectic and dazzling bill that spanned genre, style and theme, keeping audience members — as well as the dancers — on their toes.
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With breathing room denied before the piano’s first flaring note, Trifonov instantaneously enveloped the theater in liquid vigor.
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