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Leave it to the Academy of Motion Picture Arts and Sciences to show the Golden Globes how it’s done. The nominees are a step up, but best of all, the Oscars are sweeping Zoom into the dustbin.
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The handheld camera and cinematography feel raw and real, following the three leads earnestly to capture their most vulnerable moments.
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Much like 2020, the storyline has no singular beginning, end or objective. Rather, each scene speaks to a different aspect of the universal 2020 experience.
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“Thunder Force” is Falcone’s signature raw chicken filmmaking to its core. The real superpowers belong to those who can enjoy it.
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“Solemn Anthems” lacks cohesion and connective tissue, but it holds a great deal of thought, and a great deal burns.
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Paul McCartney isn’t afraid to admit that he gets by with a little help from his friends, and as McCartney III Imagined demonstrates, this collaborative spirit reaps generous rewards.
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“This is Where We Fall” is a bullet train of a graphic novel: quick, effective and gets you where you want to go with just the right amount of bells and whistles.
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It is well past due time for Greta Van Fleet to forge their own path and not just follow blindly in the footsteps of those the band looks up to.
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“Valley of Souls” is a slow burn with three w’s. Director Nicolás Rincón Gille’s narrative debut, part of the 2020 Flashback series, liquefies with a languid pace that melts in your mouth.
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Khosrovani’s most magical suspense lies in the first half of her film. That might be a consequence of history, a result of the two different stories she’s telling.
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