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“Hate Myself” is an ideal example of how Dodie has perfected her musical style; she sings as though she’s forcing a smile through sorrow, and with a refined balance of delight and melancholy, she manages to make her saddest songs warm and comforting.
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While fans’ priority focus may be on the band’s scattered live performances, the film manages to carry an eccentric narrative that also perfectly exaggerates Pinegrove’s indie-modern aesthetic.
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“One Night in Miami” is a spectacular debut for King and should put her, Powers and Ben-Adir on track for further triumph at the 93rd Academy Awards.
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“History of Swear Words” is suited for levity, but the show could stand to take itself a little more seriously.
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“Herself” is a heartwarming tale of resilience and community that showcases how coming together and supporting one another can create something beautiful.
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“You carry around stories in your body,” Gotanda postulated. “They roll around, tumble around and gather flesh as you live your life.”
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Part four of Netflix’s “Chilling Adventures of Sabrina” resurrected the ghouls and the hexxing gals from hibernation to celebrate our favorite teenage witch one last time.
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What I craved when I came to Taiwan wasn’t a transformative alteration of my cultural identity. What I sought was to locate a missing half of me without losing the other.
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Despite the changed release date, “Soul” managed to arrive right on time, delivering a message that carries newfound importance at the end of a devastating year.
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“Bridgerton” exemplifies the escapism of period dramas but fails in pivotal moments to crescendo to a greater climax.
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