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There’s something inherently connective about an Iron Maiden concert, from the crowd screaming out lyrics in unison to the ceaseless headbanging and chants of “Maiden” in between songs.
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My personality cannot be reduced to the cliched pretension that compels me to choose between “Pulp Fiction” and “Fight Club” for the honor of watching me sleep at night.
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At the core of the story is the intense friendship that develops between Destiny and Ramona — two women with no one but each other to rely on.
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It’s been years, but I still have the black dress and I still think of the W.H. Auden poem at certain times of day when the hills cast long shadows and airplanes fly out of San Francisco.
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In its season three premiere, the chillingly supernatural realm of HBO’s “Room 104” comes as close as it ever has to delivering an origin story.
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The crowd, obviously waiting in great anticipation for the main act, bobbed along to the many songs played from their new album, including “Fleur de lis” and “Grave of the Fireflies.” But the excitement for Iron Maiden’s approaching set was palpable.
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I figured if my trip was performative, it wouldn’t be the first time that my feed has been filled to the brim with projections of a better, happier me.
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The words we collect expose parts of us — parts of us we want to share, but can’t in such specific terms.
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Iranian film director, screenwriter and producer Abbas Kiarostami embraced the idea that the reality of others can often serve as some of the most powerful, impactful material for our consumption.
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A large portion of “Through the Olive Trees” is spent watching the magic of cinema unfold in the village. Between a crowded casting call and peeks at interactions between cast and crew while onset, the film allows viewers to feel involved in the creation of what they’re watching.
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