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Luckily for the trio, the crowd was clearly filled with hardcore fans of the podcast, and viewers erupted into laughter on cue.
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“Overdue” celebrates Children’s Book Week, while “The Bechdel Cast” delves into the “Avengers” franchise as the series comes to an end.
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Both podcasts stick to familiar genres this week — “Overdue” reads the first novel in another fantasy series, while “The Bechdel Cast” covers a lesser known romantic comedy.
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Our podcasts this week cover media that span time and space between them. “Overdue” explores the origin of the time travel plot, while “The Bechdel Cast” covers a famous romantic comedy with Seattle misleadingly in its name. “Overdue” Taking a huge step away from last week’s vampire romance coverage, Craig
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“Overdue” finishes out their coverage of “The Twilight Saga” with its final book, while “The Bechdel Cast” explores the horror of “Rosemary’s Baby.”
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“Overdue” tackles what is arguably Kurt Vonnegut’s most popular novel, while “The Bechdel Cast” dives into the world of a well-known Disney fairy tale.
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Both of our podcasts this week focus on female-centered stories, each contextualizing the main female character’s role within the larger plot. “Overdue” explores the lesser-known source material of a very popular adapted film while “The Bechdel Cast” discuss a timely and largely hyped superhero film.
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From pregnancy guides to a famous fashion industry comedy, our podcasts cover a lot of ground in this week of podcapping. “Overdue” reveals a surprise book Craig and Andrew have been alluding to for weeks, while “The Bechdel Cast” spends an extra long episode delving into the details of “The Devil Wears Prada.”
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Horror fiction is practically synonymous with one very well known writer: Stephen King. Writing horror apparently runs in the family, as this week’s author, Joe Hill — real name: Joseph Hillstrom King — is actually Stephen King’s son.
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This week in podcapping, “Overdue” delves into the difficult dynamic of a problematic writer producing entertaining literature, while “The Bechdel Cast” discusses the role of mediocrity in women’s representation.
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