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BERKELEY'S NEWS • NOVEMBER 18, 2023

Literature

Page 3 of 26

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“Wise Gals” tells the story of five real women — Jane Burrell, Adelaide Hawkins, Mary Hutchison, Eloise Page and Elizabeth Sudmeier — who each played a fundamental role in directing the CIA into its modern line of intelligence.
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“Wise Gals” tells the story of five real women — Jane Burrell, Adelaide Hawkins, Mary Hutchison, Eloise Page and Elizabeth Sudmeier — who each played a fundamental role in directing the CIA into its modern line of intelligence.
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R. F. Kuang’s “Babel” is a deeply fascinating fantasy tale chronicling political movements, worker resistance and colonialism.
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R. F. Kuang’s “Babel” is a deeply fascinating fantasy tale chronicling political movements, worker resistance and colonialism.
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Blossoming with lush detail without boasting grandiloquence, Jimenez narrates in riot against the finitudes of categorization.
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Blossoming with lush detail without boasting grandiloquence, Jimenez narrates in riot against the finitudes of categorization.
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“Love in the Time of Serial Killers” follows Phoebe, a PhD candidate interested in the rhetoric and composition of true crime.
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“Love in the Time of Serial Killers” follows Phoebe, a PhD candidate interested in the rhetoric and composition of true crime.
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Hariri-Kia paints a vivid portrait of an ever-changing media landscape, exploring everything from the shift to online content to the pervasiveness of performative activism.
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Hariri-Kia paints a vivid portrait of an ever-changing media landscape, exploring everything from the shift to online content to the pervasiveness of performative activism.
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Hariri-Kia began formulating this story during her first-ever media job, but the novel really started to take shape three years ago.
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Hariri-Kia began formulating this story during her first-ever media job, but the novel really started to take shape three years ago.
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With her latest endeavor “Lapvona,” it's evident that Moshfegh is not impervious to her newfound widespread name recognition or status as the definitive writer of “unlikable female protagonists.”
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With her latest endeavor “Lapvona,” it's evident that Moshfegh is not impervious to her newfound widespread name recognition or status as the definitive writer of “unlikable female protagonists.”
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“I wanted to come together as a collective,” Engel said in an interview with The Daily Californian.
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“I wanted to come together as a collective,” Engel said in an interview with The Daily Californian.
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