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BERKELEY'S NEWS • JUNE 02, 2023

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Dance

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SF Ballet’s ‘Romeo & Juliet’ breathes new life into traditional story

While San Francisco Ballet frequently performs new renditions of old classics, the company transported audiences back to the streets of Renaissance Italy for the opening night “Romeo & Juliet” on April 21 at the War Memorial Opera House. 

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English choreographer Christopher Wheeldon continued this tradition of crafting a classic ballet to be timeless with “Cinderella” at the War Memorial Opera House on April 4
English choreographer Christopher Wheeldon continued this tradition of crafting a classic ballet to be timeless with “Cinderella” at the War Memorial Opera House on April 4
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Composed of two unrelated acts, the production comprised an outstanding and eclectic array of dances, with performers dancing to everything from abstract industrial music to the sound of falling rain.
Composed of two unrelated acts, the production comprised an outstanding and eclectic array of dances, with performers dancing to everything from abstract industrial music to the sound of falling rain.
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On the night of March 14, the tapered golden curtains of the War Memorial Opera House slowly gave rise to the first of three running bill programs presented by SF Ballet.
On the night of March 14, the tapered golden curtains of the War Memorial Opera House slowly gave rise to the first of three running bill programs presented by SF Ballet.
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While San Francisco Ballet frequently performs new renditions of old classics, the company transported audiences back to the streets of Renaissance Italy for the opening night “Romeo & Juliet” on April 21 at the War Memorial Opera House. 
featured article
While San Francisco Ballet frequently performs new renditions of old classics, the company transported audiences back to the streets of Renaissance Italy for the opening night “Romeo & Juliet” on April 21 at the War Memorial Opera House. 
featured article
English choreographer Christopher Wheeldon continued this tradition of crafting a classic ballet to be timeless with “Cinderella” at the War Memorial Opera House on April 4
featured article
English choreographer Christopher Wheeldon continued this tradition of crafting a classic ballet to be timeless with “Cinderella” at the War Memorial Opera House on April 4
featured article
Composed of two unrelated acts, the production comprised an outstanding and eclectic array of dances, with performers dancing to everything from abstract industrial music to the sound of falling rain.
featured article
Composed of two unrelated acts, the production comprised an outstanding and eclectic array of dances, with performers dancing to everything from abstract industrial music to the sound of falling rain.
featured article
On the night of March 14, the tapered golden curtains of the War Memorial Opera House slowly gave rise to the first of three running bill programs presented by SF Ballet.
featured article
On the night of March 14, the tapered golden curtains of the War Memorial Opera House slowly gave rise to the first of three running bill programs presented by SF Ballet.
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All of San Francisco’s mercurial chill was forgotten on Feb. 25 as crowds gathered at the War Memorial Opera House to witness "Giselle," one of classical ballet’s most infamous romantic works.
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All of San Francisco’s mercurial chill was forgotten on Feb. 25 as crowds gathered at the War Memorial Opera House to witness "Giselle," one of classical ballet’s most infamous romantic works.
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Infused with imaginative splendor, San Francisco Ballet’s “Nutcracker” is a holiday season staple.
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Infused with imaginative splendor, San Francisco Ballet’s “Nutcracker” is a holiday season staple.
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“13 Tongues” eluded definition like a trout squirming from a fisherman’s hands and returning to sea.
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“13 Tongues” eluded definition like a trout squirming from a fisherman’s hands and returning to sea.
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Fresh from the Sunshine State, the Miami City Ballet beamed starlike upon Zellerbach Hall on the opening night of Sept. 23.
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Fresh from the Sunshine State, the Miami City Ballet beamed starlike upon Zellerbach Hall on the opening night of Sept. 23.
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Oozing with an intangible, irresistible glamor, the San Francisco Ballet’s “Swan Lake” took opulence as an opportunity.
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Oozing with an intangible, irresistible glamor, the San Francisco Ballet’s “Swan Lake” took opulence as an opportunity.
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The immersive three piece set boasted an eclectic and dazzling bill that spanned genre, style and theme, keeping audience members — as well as the dancers — on their toes.
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The immersive three piece set boasted an eclectic and dazzling bill that spanned genre, style and theme, keeping audience members — as well as the dancers — on their toes.
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