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Where “Brokeback Mountain” remained sensitive of itself and its characters, “Joe Bell” wields a sledgehammer, sacrificing a nuanced, accurate portrayal of its real subjects in favor of an uncomplicated redemption arc.
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Ultimately, “Space Jam: A New Legacy” fouls nearly every bit of its potential: as a heartwarming family film, as a comedy, even as an iconic pop culture moment.
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With the spring musical rapidly approaching, the students at East High in “High School Musical: The Musical: The Series” are quickly losing confidence in their ability to defeat their rivals at North High.
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Where there is style, it’s immaculate, but one look beneath the film’s candy shell reveals a hollow plot that is nearly impossible to follow or become invested in.
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While the new series is triumphant in recreating entertaining dynamics between its ensemble, “iCarly” ultimately struggles to hone in on the distinct humor and chaos that made the original series so memorable.
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“Roadrunner” attempts to answer the question of what Bourdain was running toward, but its fatal flaws prevent it from portraying Bourdain’s addictions and death in their entirety.
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It’s a fitting farewell to Natasha Romanoff, and though it’s well overdue, “Black Widow,” in all its epic scale and strong performances, is worth the wait.
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Disney+ has lifted the world of Stewart’s “The Mysterious Benedict Society” off its pages and onto screens everywhere, breathing life into Carson Ellis’ whimsical illustrations in an often wonderful, though sometimes flawed, way.
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The second season preserves the first’s refreshing genius and builds on it, injecting the show’s inimitable spirit into new situations and characters throughout 90 minutes of the funniest, most inspired sketch comedy television currently on air.
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Episode nine of the second season of “High School Musical: The Musical: The Series” seems to reward the Wildcats for their hard work with spring break.
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