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The ending of last week’s episode of “We Are Who We Are” was a foreboding glimpse into how the outcome of the 2016 election might impact the people on the base.
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“Hubie Halloween” fails to accomplish any narratorial feats and is likely to disappoint audiences looking for a fresh and spooky film for the holiday season.
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This newest reproduction of “Rebecca,” directed by Ben Wheatley, is a gilded tchotchke: beautiful aesthetics elevating mediocre substance.
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It’s in these moments that the shortcomings of “Borat 2” are most obvious: There isn’t anything to be learned from its central experiment.
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“Nocturne” tunes all of its cinematic instruments to play a serious, thrilling horror piece, but it delivers a disappointingly flat performance.
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It’s a grandiose recount of a historical event, hellbent on catching every ounce of drama from every angle.
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Fraser and Jonathan’s relationship continues to escalate on a trip to the countryside, an outing whose nature no one can seem to agree on.
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During the panel discussion, Blackwell elaborated on his transition, noting his struggles with self-esteem and realizing he had a talent that could be an inspiration to other people.
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The film is speckled with clever nods to Coppola’s reoccurring themes of femininity, but her lunge at maturity ultimately comes with growing pains.
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The marvel of “Murder Bury Win” lies in its ability to swim the viewing expanse, satisfying desires for both a shallow comedy and dives for deeper meaning.
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