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“Nocturne” tunes all of its cinematic instruments to play a serious, thrilling horror piece, but it delivers a disappointingly flat performance.
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It’s a grandiose recount of a historical event, hellbent on catching every ounce of drama from every angle.
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Fraser and Jonathan’s relationship continues to escalate on a trip to the countryside, an outing whose nature no one can seem to agree on.
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During the panel discussion, Blackwell elaborated on his transition, noting his struggles with self-esteem and realizing he had a talent that could be an inspiration to other people.
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The film is speckled with clever nods to Coppola’s reoccurring themes of femininity, but her lunge at maturity ultimately comes with growing pains.
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The marvel of “Murder Bury Win” lies in its ability to swim the viewing expanse, satisfying desires for both a shallow comedy and dives for deeper meaning.
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“David Attenborough: A Life on Our Planet” is itself an example of its own vision for the Earth.
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The reunion is a welcome escape for fans of the series, but it offers little in the way of novel ideas or reflections on how the show is relevant to politics today.
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“The Artist’s Wife” squanders the talent of its award-decorated principal actors with the uncompelling characters it offers them.
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Don’t let its crude and irreverent sense of humor fool you: “Dick Johnson is Dead” is a masterwork in deeply empathic filmmaking and a film entirely unlike anything else.
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