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“Kate Nash: Underestimate the Girl,” directed by Amy Goldstein, paints Nash as nothing other than an ordinary girl with a love for music.
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While Platt is commonly associated with the theatrics that come with being a Broadway performer, this final recorded concert highlights his individuality away from the grandeur of a Broadway stage.
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But even if it never quite escapes the trappings of its genre, “The Vast of Night” is still in many regards a respectable triumph of microbudget filmmaking.
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With similar animation and humor, “Solar Opposites” has the potential to be just as much of a success as “Rick and Morty,” but it isn’t quite there yet.
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The historical inaccuracy of much of the story, with the introduction of new characters to the narrative and the over exaggeration of the court’s ridiculousness, makes for comedy at its best.
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BAMPFA’s ongoing “Watch From Home” series hopes to support the work of filmmakers and the art museum itself.
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“The Cordillera of Dreams” focuses on the mountainscape, or cordillera, of the Andes and the way that it has impacted and defined life in the surrounding areas.
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Along with all of Godard’s work in the 1960s, the film became a paradigm of the French New Wave style for its innovative style and romantic air.
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The film shines not only as a compelling thriller but also as a documentary-like study of human fallibility.
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“What She Said” strikes a balance between discussing Kael’s ability to either empower or destroy a movie.
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