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Without properly concluding the season’s largest and most endearing plot points, the show fails to leave audiences feeling satisfied.
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“Mandibles,” the director’s latest, turns down the morbidity, but replaces it with riffs on crime — the subversive kind that suburbanites warn their children of.
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The second-to-last episode of “High School Musical: The Musical: The Series” has finally grounded the series in exploring the chaos of high school theater — the primary reason its first season garnered positive attention.
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Shyamalan’s film is made of drama that can’t break the wall between mind and heart.
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“Snake Eyes: G.I. Joe Origins” leaves you with more questions than answers, including whether you’re supposed to be rooting for the hero.
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Where “Brokeback Mountain” remained sensitive of itself and its characters, “Joe Bell” wields a sledgehammer, sacrificing a nuanced, accurate portrayal of its real subjects in favor of an uncomplicated redemption arc.
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Ultimately, “Space Jam: A New Legacy” fouls nearly every bit of its potential: as a heartwarming family film, as a comedy, even as an iconic pop culture moment.
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With the spring musical rapidly approaching, the students at East High in “High School Musical: The Musical: The Series” are quickly losing confidence in their ability to defeat their rivals at North High.
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Where there is style, it’s immaculate, but one look beneath the film’s candy shell reveals a hollow plot that is nearly impossible to follow or become invested in.
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While the new series is triumphant in recreating entertaining dynamics between its ensemble, “iCarly” ultimately struggles to hone in on the distinct humor and chaos that made the original series so memorable.
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