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With determination and passion at its heart, Harriet allows viewers to see Harriet Tubman for who she truly was — an honorable, resilient champion of the people.
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Regrettably, the film’s charm begins and ends with its lead.
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“Looking for Alaska” is a story that depends on the viewer’s connection with its characters — something the miniseries masters beautifully.
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While this seems to be a set up of high emotions and tumultuous melodrama, “Frankie” moves at a slow pace so that the characters have the appropriate space and scenes to give a glimpse into their issues without overshadowing Frankie and her own dilemma, which Huppert portrays with graceful, almost regal, ambivalence.
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Episode 8, entitled “No Hospital,” opens with an ailing old man named Mr. Bracamonte (Tony Plana) revising his last will and testament.
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The film rarely bothers to create anything for itself, instead sticking to the unadventurous comfort of a victory lap, and an unearned one at that.
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Davis’ performance as Jojo is largely what makes this film so captivating and poignantly touching.
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The bulk of Nourry’s work centers on the body and what it means to be a woman, a question she asks herself as she is stripped of her hair and one of her breasts.
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In the past two episodes of “Room 104,” a lot of ground has been covered. The show, one that is known for pushing the boundaries of what a series can do, has used this season to explore a more existential type of thriller.
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While Rudd distinguishes between his characters effectively, neither version of Miles is really developed.
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