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Returning to form, Shults has had his hand in every step of the filmmaking process, having written, directed and edited “Waves,” which is by far his most personal film.
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The tone from the beginning of this episode is glazed with humorous intonations and soft breaks where a laugh track could easily go.
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“Pain and Glory” transcends genres and transcends topics. It brings to light just how diverse a director Almodóvar is.
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And, in its pompous self-seriousness, incoherent narrative and utter lack of depth, the film succeeds — in being tragically bad.
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Zohara lies on the floor, singing a haunting children’s rhyme to herself as if it is a form of comfort. But as she turns the light off to go to sleep, she hears screaming and banging from outside the room.
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On Thursday night, the bittersweet final first episode aired on NBC and signaled that this farewell season will indeed be a fun one.
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The beauty of “Britt-Marie Was Here” is that, while the main character is on the older side, the story does not revolve around her age.
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The emotional stress beautifully exhibited by Castro is furthered when, after thinking he solved his illness by discovering he had been “abducted by aliens,” Craig wakes up to realize his skin lesions have worsened and spread.
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Simply put, “The Death of Dick Long” is a film about the confused death of the proud, dick-measuring masculinity of American tradition.
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“Abominable” is unapologetically DreamWorks. As usual, the humor is brazenly absurd, but oh so relatable, with the power to make old fans have stomachaches of laughter.
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