Film & Television

“Moonage Daydream” frames Bowie in the holy glow of a human deity, dissecting the particularities of his supernovaic celebrity and reputation for the fantastic.

The bulls—t brothers head west for a product launch at Waystar Studios in Los Angeles, with a new disastrous plan to price out Lukas Matsson by overinflating the value of the Waystar's newest pitch.

“Kill List” is ripe with subtext upon subtext, with power seesawing rapidly between the siblings, the old guard and the Swedes.

In spite of its arthouse eccentricities, the film’s calm pacing and subdued landscape shots make for a charming, albeit virtually plotless, slice-of-life flick.

While there isn’t much substance to the film, “Sisu” is so action-packed and persistent that it’s an entertaining watch nonetheless.

The world’s thirst for proper POC representation (not just in cast but in crew) meant billions of eyes ready to devour “Beef.” In this pressure cooker, Lee Sung Jin cooks “Beef” to near-perfection. 

After last week’s Earth-shattering death, the tightly contained “Honeymoon States” delivers sky high stakes and searing one-liners as the siblings come home to a haunted house full of “roses and rotting corpses.”

It’s Reichardt’s willingness to let a collective filmmaking process guide her, perhaps, that allows her meditative cinema to thrive.

Rich with history, the documentary “Living With Chucky” offers an intimate inside view of the renowned series, and while it occasionally loses focus, the documentary celebrates the franchise and the hours upon hours of hard work that launched it to success.

It sucks to work for Dracula — so says Chris McKay’s “Renfield,” the latest film to reincarnate Bram Stoker’s characters.